Thursday 19 April
2012
Hansard of the
Legislative Council
SPECIAL INTEREST
MATTERS
BEN AUSTIN
SHINES
Mr FINCH (Rosevears) - Madam President, Tasmania has not
produced very many great musicians. Peter Sculthorpe would come to
mind immediately; a great Australian composer and, of course, still
going strong. He grew up in the member for Windermere's electorate,
at St Leonards. Perhaps in the future we will think of Ben Austin
from my constituency in that context. At this stage he is only 21
years of age. He is studying a Bachelor of Music in Advanced
Performance at the Conservatorium of Music at Queensland's Griffith
University and he is an outstanding young pianist as you may well
remember, Madam President. During my electorate tour in 2006, he came
to my home to perform for the members of the Legislative Council. You
could not help but be amazed at the maturity that he showed at that
age of just 15. I remember when he was 14, the former member for
Launceston, Don Wing, Suzie Clark and myself managed to get him and
others to Japan for the World Expo in 2005 and the organisers of the
expo were so impressed with Ben Austin that they invited him back,
all expenses paid, and they gave him a stipend to purchase a new
piano, so impressive was he at just 14.
Ben, during that
time, also won the Tasmanian Symphony Orchestra composition
competition. Last year, he was runner-up and I have spoken to him
about that. He was runner-up but awarded the people's choice award in
what is known as the Lev Vlassenko Piano Competition. That
competition featured 62 of the best young pianists in Australasia. He
was selected nationally to play at the Australian National Academy of
Music Piano Festival in 2010, he has been a soloist with both the
Queensland Conservatorium Symphony Orchestra and with the Queensland
Symphony Orchestra. He has received masterclasses from the Head of
Keyboard at Yale University, Boris Berman, and also from Piers Lane
and Oleg Stepanov. People who are interested in piano will understand
those names; it is a high accolade to be involved in those
masterclasses.
Ben, I might
point out, has been playing piano since he was seven years old and it
might impress the young people, if they were still here that Ben,
from that time, has practised for four hours a day and sometimes he
will practise for as many as seven hours a day. Tomorrow night, Ben
is going to give a recital in Launceston. He has come home to perform
at this concert and he is going to be playing an historic piano, a
Collard & Collard boudoir grand piano, manufactured in England in
1897. This piano has a very colourful history. It was brought to
Tasmanian on the Eden Holme wool clipper that was wrecked on
Hebe Reef at the mouth of the Tamar in 1907. The piano was used in
the Launceston music studio of Mary Bowden who, with her husband
Alfred Bowden, was a music teacher and a professionally recognised
composer.
The piano was
donated to Launceston's Queen Victoria Museum and Art Gallery a few
years ago by Mrs Bowden's granddaughter, Mrs Shirley Carter. It has
been fully restored and will be played tomorrow night for the first
time in public since that restoration. Shirley Carter, who is aged in
her 90s is going to be at the recital. She is joining us to hear Ben
Austin play, among other pieces, a work composed by her grandmother.
The Queen
Victoria Museum and Art Gallery at Royal Park has been refurbished
and this is the first time that a public performance will take place
in the refurbished gallery.
The funds from
that will go to help Ben complete his final year at the Queensland
Conservatorium of Music. He then hopes to get into professional
musical theatre. He is going to move to Melbourne next year when he
finishes his degree but he also has dreams of a concert career and he
is being encouraged along those lines because of the application and
the talent that he has shown whilst in Queensland.
Ben, I might
say, Madam President, is an outstanding ambassador for Launceston and
Tasmania and, I believe, Australia when he develops this great career
that is ahead of him.
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